Download Literature and Evil, by Georges Bataille
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Literature and Evil, by Georges Bataille
Download Literature and Evil, by Georges Bataille
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”Literature is not innocent,” Bataille declares in the preface to this unique collection of literary profiles. “It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.
Born in France in 1897, Georges Bataille was a radical philosopher, novelist and critic whose writings continue to exert a vital influence on today's literature and thought.
- Sales Rank: #526584 in Books
- Published on: 2001-04-01
- Original language: French
- Number of items: 1
- Dimensions: 7.90" h x .40" w x 5.10" l, .36 pounds
- Binding: Paperback
- 208 pages
Language Notes
Text: English, French (translation)
About the Author
Georges Bataille was born in France in 1897 and died in 1962. He was a philospher, novelist and critic who wrote on a wide range of topics, including eroticism, religion, anthropology and art, continuing to exert a vital influence on today's literature and thought. Other works published by Marion Boyars include Blue of Noon, My Mother Madame Edwarda and the Dead Man and Literature and Evil.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Literature IS evil.
By steward
Bataille conducts a review of several authors with relation to evil, and whether or not all of literature could potentially be evil or just certain authors. He has wry, cogent remarks such as "Her short life was only moderately unhappy." Bataille writes to the part of the brain that is emotional, as well as the analytical, and is all the much better for that - but if you expect philosophy to be dry as dust, you'll wonder how he could be called a philosopher instead of the literary equivalent of a panderer.
26 of 27 people found the following review helpful.
Literature and Evil
By TheIrrationalMan
Georges Battaille throws down a challange to Jean-Paul Sartre, who held that "literature is inncocent". Bataille, in his examination of such figures as Emily Bronte, Sade, Baudelaire, Genet, Kafka and Michelet, and the component of "evil" in their works, argues that literature is, in fact, "guilty" and that, moreover, it must acknowledge itself as such. In his reading of these literary figures, Bataille proceeds to analyse literature's complicity with evil and how this enables it reach a fuller level of communication. Drawing on Freud, he "eroticises" literary creativity and contends that the notion of "Art for art's sake", which emerges as a reaction to a fragmented and reified social world dominated by utilitarianism and commodity fetishism, is actually a subterfuge, literature masquerading as innocent under the mantle of "pure art", in order to rechannel the forces that are dammed up owing to the repressions imposed by culture. Though elliptical and opaque, this book is a challenging and fascinating study, which has a potential for laying the foundations for a philosophy of composition that underwrites the aesthetic of evil and explores its relation to the overarching forces of institutional and administrative surveillance.
15 of 17 people found the following review helpful.
The Death Drive in literature
By eddie.marcus@innocent.com
In this short (and at times very difficult) collection of essays, Bataille challenges Sartre's view that "literature is innocent". A selective survey of key writers - including Bronte, Genet and Sade - shows that literature is a necessary antidote to the overarching Superego and Capitalism's emphasis on the Reality Principle. In this way, Bataille shows that literture is in fact evil, in that it is anti-utilitiarian and thus embedded in the childish Pleasure Principle. While Bataille seems to alternate between ascribing the driving force of literature to both the Life Drive (Eros) and the Death Drive (Thanatos), he does succeed in showing how Freud - although he never explicitely invokes the name - can be used for a new method of reading literature.
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