Rabu, 04 Juli 2012

[O474.Ebook] PDF Ebook Foldforming, by Charles Lewton-Brain

PDF Ebook Foldforming, by Charles Lewton-Brain

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Foldforming, by Charles Lewton-Brain

Foldforming, by Charles Lewton-Brain



Foldforming, by Charles Lewton-Brain

PDF Ebook Foldforming, by Charles Lewton-Brain

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Foldforming, by Charles Lewton-Brain

The ultimate reference on foldforming from the artist who invented this groundbreaking approach to working with metal. By taking advantage of the inherent qualities of the material, foldforming develops organic forms in metal with minimum effort. Hundreds of sequential photographs demonstrate techniques to make a wide range of forms. Foldforming lends itself to all branches and levels of metalsmithing, from jewelry to blacksmithing, beginners to advanced artists.

  • Sales Rank: #96570 in Books
  • Published on: 2008-04-15
  • Original language: English
  • Dimensions: 10.50" h x 8.25" w x .75" l, .2 pounds
  • Binding: Hardcover
  • 160 pages

About the Author
Charles Lewton-Brain received his initial training in Germany and later earned a Master of Fine Arts from SUNY New Paltz. In the 1980s he invented a way of working with metal that exploits its inherent behaviors. Through hundreds of workshops and in his position at the Alberta College of Art + Design, Charles has developed the science and art of foldforming to its current high standard.

Most helpful customer reviews

66 of 70 people found the following review helpful.
The Kindle Version is a cheat!
By Firebyrdflight
Although this is a book full of color plates, the Kindle version downloaded in black and white! Nowhere is it stated that this would be the case, and Amazon was careful not to post a sample of the Kindle version on the "look inside" screen.
Shame on you, Amazon! How many of us paid the extra and bought the Kindle Fire because it supposedly makes it possible to read magazines and art-type books in color! If the Kindle version of this type of book isn't in color, that needs to be clearly stated!

99 of 99 people found the following review helpful.
Exciting and inspiring
By wiredweird
This gorgeous book addresses a huge family of forming techniques, a family that is still under active exploration. These techniques create a wide range of varied forms, and add to the traditional methods of fabrication as much as they draw from them. If you have any experience in metalwork, you'll find plenty to add to your existing skills, and at least as much that your current knowledge can add to what's presented here.

Clear, descriptive photos fill just about every page. These pictures serve three major purposes: they instruct in technique, they show the kinds of results that each technique can create, and they display masterworks that exemplify the finest results experienced crafters can produce - sometimes, all at once. Artisans at every level will find something they can use. Someone with just a hammer and bench block can get great results, as can the maker with access to a powered rolling mill and hydraulic forming press. My one peeve with this book, and it's just a small one, is that Lewton-Brain never specifies the thickness of materials to work with. I know that he encourages direct experience and experimentation, but the beginner might want to know whether to start closer to 24ga or 12ga sheet - it makes a difference.

One thing that makes this book attractive is its emphasis on inexpensive materials, the kind you don't mind making mistakes with. Samples in gold and silver appear, of course, but nearly all of the demonstrations use copper - not just because of cost, but also because of its unique working properties and the many kinds of surfaces it yields. The big appeal, however, is not just the organic beauty of the results, but the sense of play and exploration that pervades this book. I can't think of any other book on any craft that conveys so much pure fun in handling the material.

-- wiredweird

48 of 49 people found the following review helpful.
Complete tool kit for your imagination!
By Alexa
Thorough presentation of techniques. Photos and directions are clearer guide to the techniques than the instruction I received in a 3 day workshop taught by a student of the author. In fact a student in the class had a copy of the book which had just been published, and we took turns consulting it, especially the photos. This book is different from the step-by-step books that consist of a certain number of projects resulting in finished pieces of jewelry designed by the author. Foldforming does not lend itself to such an approach, so look elsewhere if that is what you want. The purpose of this book is to allow you to understand the dynamics of foldforming, practice the techniques, quickly master the wide range of folds presented, and use your creative imagination to combine them in unique ways to make jewelry or other objects of your own design.

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